Dario Bogni informs us that Johannes Brahms was a German composer and pianist of Romanticism, considered the most classical of composers of that period.
All his life he remained faithful to conservative and romantic classicism, influenced by Mozart, Haydn and, particularly, by Beethoven.
He was possibly the greatest representative of the conservative circle in the War of the Romantics, and his opponents, the radical progressives of Weimar, were represented by Liszt, the members of the later called New German School and by Wagner.
Bogni Dario indicates that he was born and raised in Germany, where his work, romantic, conservative and with a very contained classicism, was not well received, which is why, in 1862 he decided to exile himself in Vienna, where he created the best of his symphonic and concert repertoire for solo instruments of various kinds.
Brahms' music starts from very clear classical sources: the Viennese classicism of Haydn, Mozart and, above all, Beethoven.
On the other hand, the influence of the early romantic composers, such as Franz Schubert, Robert Schumann or FelixMendelssohn, is very pronounced, and as time passes, their admiration for the music of Johann Sebastian Bach is getting stronger.
For this reason, Brahms remained faithful throughout his life to the style of romantic classicism, without accepting any of the novelties that came from both the French school of HectorBerlioz, Franz Liszt or Richard Wagner.
Furthermore, although the most expressive aspects of romanticism predominate in his first period, as he approaches maturity, his music becomes more introspective and more enclosed in a very contained classicism.
In this sense, Dario Bogni expresses that he was considered an academic and conservative composer, knowing that the main novelties of Brahms are developed within the musical language itself.
It is also important to appreciate that the originality of Brahms tends to go unnoticed by the classic-romantic appearance of his compositions, since in the case of rhythm, syncopations, displacements and the superposition of binary rhythms are very characteristic of Brahms's music. ternaries.
In addition, in the formal aspect, Brahms incorporated what has been called as Progressive Variation, which consists of a form in continuous organic development, which appears superimposed on the traditional classical structure, without coming into conflict with it but complementing it.
All this gives us to understand, that all these aspects made the music of Brahms decisively influence 20th century composers, especially Arnold Schönberg, who made an important claim for the most progressive and renovating aspects of Brahms music.
A musician from the classical era who managed to delight the world with his majestic creations, and who has become from that time to the present day, one of the most important players in the music industry of all time.
One of the few talented artists who has managed to make a mark on the world in a very significant way.